Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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JORDAENS, Jacob
Self-portrait among Parents, Brothers and Sisters (detail) sg

ID: 07696

JORDAENS, Jacob Self-portrait among Parents, Brothers and Sisters (detail) sg
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JORDAENS, Jacob Self-portrait among Parents, Brothers and Sisters (detail) sg


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JORDAENS, Jacob

Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen). Flemish painter, tapestry designer and draughtsman. In the context of 17th-century Flemish art, he emerges as a somewhat complicated figure. His oeuvre, the fruit of a continual artistic development, is characterized by great stylistic versatility, to which the length of his career contributed. His religious, mythological and historical representations evolved from the rhetorical prolixity of the Baroque into a vernacular, sometimes almost caricatural, formal idiom. The lack of idealistic treatment in his work is undoubtedly the factor that most removed Jordaens's art from that of his great Flemish contemporaries Rubens and van Dyck. Jordaens's officially commissioned works included many paintings in which the sublimity of the subject-matter clashed with the vulgarity of some of his figures. Unlike Rubens and van Dyck, both of whom were knighted in the course of their careers, Jordaens was, in fact, completely ignored by the courts of Spain and Brussels  Related Paintings of JORDAENS, Jacob :. | The Bean King f | Portrait of a Young Married Couple | St Charles Cares for the Plague Victims of Milan | As the Old Sang the Young Play Pipes (detail) sf | As the Old Sang the Young Play Pipes dy |
Related Artists:
Marten de Vos
(1532-1603), also Maarten, was a leading Antwerp painter and draughtsman in the late sixteenth century.
Frans van Mieris
Dutch Baroque Era Painter, 1635-1681
HOGARTH, William
British Painter and Printmaker, 1697-1764 English painter and engraver. He played a crucial part in establishing an English school of painting, both through the quality of his painting and through campaigns to improve the status of the artist in England. He also demonstrated that artists could become independent of wealthy patrons by publishing engravings after their own paintings.






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